$355.00

Item AP010F

24 3/4 x 32 1/2 x 1 1/2

10 lbs. 0 oz.

Extra packaging required. A surcharge of 21.00 will be added to order.
Bear_Box_FramedBear_Box_Framed

 

 

Bear Box
by Andy Wilbur Peterson

Black custom cut mat and black wooden frame, a numbered print (shown above without mat or frame)


More from Andy Wilbur Peterson

Andy Wilbur Peterson

Andy Wilbur Peterson is a member of the Skokomish Tribe. He began carving after being inspired by a tour of a museum exhibiting Northwest Coast art; and began exploring various art forms. By the age of 18, he had taught himself how to carve and paint. Later, Andy and his Uncle Peter Peterson made a joint effort to revive the traditional steam-bent box. The early designs were predominantly in northern style. Later, sources at the University of Washington, British Columbia and art pieces made by his great-grandfather (Henry Allen), yielded examples which he used as a basis for developing a traditional and exciting Coast Salish style. In 1987 he worked with Makah Artist, Greg Colfax on a 12' female welcoming figure for The Evergreen State College. In 1994-95, Andy worked with Steve Brown, on a pole for Richmond Beach Park. While working on the pole, Steve introduced Andy to many types of carving tools. He also taught him the art of tool making and silver carving. Andy now makes his own tools, which has broadened and enhanced his carving career. Andy continues to research and contribute to the revival of Salish art. He is currently working collaboratively on a variety of large scaled carving projects for his gallery. His works include both Salish and Northern style; steam-bent boxes/chests, panels, drums, rattles, paddles, masks, speaker staffs, bowls, totems, button-blankets, silver and furniture. Andy has taught many people in all of the art forms and is currently working with his youngest daughter (Bunni), he looks forward to working with his grandchildren in keeping the Salish Art forms alive.

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Bear

Bear is one of the most prevalent figures in crest and shamanic art, as well as in myths. It is considered to be a close relation of human kind, perhaps because of physical characteristics such as size, appearance, and expression, and behaviors such as standing on two hind legs, gathering plants and berries, fishing and nurturing young. As a close relation, the bear is a link between the human and non-human animal realms, as well as between the secular natural ream and the divine or supernatural. Because of their strength and fierceness, Bears are frequently the guardians, protectors and helping spirits of the Warriors. Bears were held in great respect by the Coastal Indians because of their humanlike qualities. The bear motif is often found carved and painted on totem poles and used in many other art works. Because of its power and human-like qualities, the bear was referred to as "Elder Kinsman". When killed, it was taken to the chief's house, sprinkled with eagle down as a symbol of welcome, friendship and generally treated as a high-ranking guest. Prayers and dances were made to the soul of the bear so that harm would not later befall the hunters.

 

Understanding Northwest Coast Art - Cheryl Shearar

 
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